- HBA · 4 years
- Work experience details
- ~High 80s to low 90s



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Duration (years)
4 years after high school; at least 3 after CEGEP
McGill 2026/27 BMus duration by entry route| Mon | Tue | Wed | Thu | Fri | Sat | Sun |
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Fall 2027 · Voice and Early Music Voice applicants planning a live audition
Applicants submitting a full recorded audition use that submission instead of a separate prescreen.
Fall 2027 · Fall 2027 undergraduate music applicants
Fall 2027 · Fall 2027 undergraduate music applicants
Submit the required supporting materials and, where your route uses one, the recorded audition or portfolio.
Check the university’s requirements for your province and applicant category.
Entry terms · Fall
Regular September entry. The school invites individual inquiries about possible January availability.
McGill January 2027 program availability and deadlinesOntario high-school applicants
Canadian high schools outside Ontario and Quebec
Quebec CEGEP applicants
U.S. high-school applicants
Applicants outside Canada and the United States
Canadian high school IB students
Bachelor of Music applicants
Music Studies applicants
Bachelor of Music applicants
The university does not publish a comparable percentage minimum or entering-average range for this program.
Schulich undergraduate academic minimums by routeMusic Studies BMus only. The Year 1 example assumes no placement exemptions and shows Classical and Jazz alternatives.
Follow either the Classical or Jazz sequence. Practical Lessons are for the Practical Studies stream. Placement and language advising may change the plan.
Introduction of interdisciplinary perspectives on the musician’s role in society and the ways in which musicianship may be partnered with social responsibility in the development of professional music careers. Exploration of the many ways in which musical skills and artistry are used to serve the needs of a diverse range of communities, and the interdisciplinary skillsets that may be relevant to different musical pathways.
MCGILL complete current official course definitionA survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.
MCGILL complete current official course definitionAn introductory study of the principal recordings, artists and musical trends in jazz from its origins to the present day.
MCGILL complete current official course definitionDiatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.
MCGILL complete current official course definitionFundamental aural and theoretical skills associated with the jazz idiom. Nomenclature, chord construction, chord/scale relationships, harmonic progression, circle of 5ths, simple turnarounds, simple substitution, symmetrical scales and chord relationships, voice leading.
MCGILL complete current official course definitionRhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.
MCGILL complete current official course definitionRhythmic, melodic and harmonic materials from the jazz idiom. Sight-singing, dictation and transcription with some classical materials.
MCGILL complete current official course definitionHarmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.
MCGILL complete current official course definitionBasic piano skills, basic comping techniques, standard 3 note rootless voicings in 7, 3 and 3, 7 position with one extension, two-five-ones in major and minor - limited keys. Simple substitution and reharmonisation.
MCGILL complete current official course definitionPractical instruction on an instrument or voice.
MCGILL complete current official course definitionFollow the same Classical or Jazz sequence. The sample also includes a Music Education or Entrepreneurship course and a non-Music elective.
Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.
MCGILL complete current official course definitionSimple and advanced substitution, borrowed chords, reharmonisation, modes of harmonic minor and melodic minor diatonic systems, unresolved tensions, odd and infrequent modulations, mixed two-five-ones, introduction to polychords, slashchords and non-functional harmony.
MCGILL complete current official course definitionRhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.
MCGILL complete current official course definitionAdvanced jazz idioms.
MCGILL complete current official course definitionBuilding chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.
MCGILL complete current official course definitionContinuation of previous semester. Two-five-ones and mixed two-five-ones using 4 note close position voicings and 4 and 5 note spreads, in all keys, diminished passing chords, half step shifts, voice leading extensions, quartal and modal voicing, sight reading of standard jazz repertoire.
MCGILL complete current official course definitionPractical examination in clarinet techniques.
MCGILL complete current official course definitionExamination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.
MCGILL complete current official course definitionInvestigation of the concept of artistic citizenship.Inquiry into the ways in which musical skills and artistry serve the needs of diverse communities and career pathways.
MCGILL complete current official course definitionSkills needed in the evolving music business. An interdisciplinary music project that focuses on synthesizing, and putting into practice creative, business, and entrepreneurial skills.
MCGILL complete current official course definitionCompositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.
MCGILL complete current official course definitionExpanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
MCGILL complete current official course definitionRhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.
MCGILL complete current official course definitionChanging metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.
MCGILL complete current official course definitionIntroduction to concepts and techniques commonly used in jazz arranging. Notation, calligraphy and score preparation are discussed; including study of classical and contemporary scores by prominent jazz arrangers.
MCGILL complete current official course definitionConsolidation of knowledge of basic concepts and techniques used in jazz arranging.
MCGILL complete current official course definitionIntroduction to basic improvisation concepts of phrasing, articulation, melodic development, harmonic control, musical vocabulary and style. Pedagogical techniques will be discussed.
MCGILL complete current official course definitionA continuation of development of basic improvisation concepts of phrasing, articulation, melodic development, harmonic control, musical vocabulary and style. Pedagogical techniques will be discussed.
MCGILL complete current official course definitionPractical instruction on an instrument or voice.
MCGILL complete current official course definitionPractical instruction on an instrument or voice.
MCGILL complete current official course definitionAssessment of student's progress in the practical area.
MCGILL complete current official course definitionAn introductory study of the instruments of string, woodwind and brass families, elementary acoustics of the instruments. Techniques of playing including embouchure, fingering, bowing, hand-stopping, transposing instruments. Evolution of the instruments, their technique and their music from the 18th century to the present.
MCGILL complete current official course definitionCentral themes and methods in contemporary ethnomusicology. Music and its meanings in several contrasting cultural regions and groups. Topics include: colonialism, politics, globalization, and the impact of technology. Techniques of transcription, ethnography, and fieldwork.
MCGILL complete current official course definitionDevelopment of European, Russian, and American music from the 1890s until the early 1940s, tracing its roots in late 19th-century Romanticism and following its evolution in central Europe, France, and the United States. The music of major innovators such as Debussy, Stravinsky, Schoenberg, Ives, and Varèse will be discussed.
MCGILL complete current official course definitionMajor early twentieth-century works by Debussy, Strauss, Schreker, Bartók, Stravinsky and Schoenberg. Opera in Europe between the Wars including operas of Berg, Milhaud, Krenek, Hindemith and Weill. Politics, sociology, and literature in relationship to musical style. Approaches since 1945 in selected works by Britten, Henze, Zimmermann, Ligeti, Somers and Glass.
MCGILL complete current official course definitionSurvey of music in Canada from the 16th Century to the present. Current musical organizations and institutions, and contemporary Canadian music will be stressed. Time permitting, brief reference will be made to the folk music of indigenous and immigrant groups.
MCGILL complete current official course definitionAppearance and evolution of such post-war phenomena as total serialism, "chance" music of various kinds, and electronic music as seen in major figures such as Boulez, Stockhausen, Cage and others in Europe and the United States. Important developments during the 1960s. Rise of "minimalism" and "neo-Romanticism" during the 1970s and 80s.
MCGILL complete current official course definitionA study of the history and development of jazz through listening, reading, video viewing, lectures and discussion. The central goals will be to learn how to hear jazz critically and to understand the values, meanings, and sensibilities of jazz as a social practice.
MCGILL complete current official course definitionSurvey of keyboard repertoire from 1850 to the present: instruments, the crisis at mid-century, character pieces, Brahms, late Liszt, national schools, commercialization - the concert hall, music for the bourgeois - salon music, Scriabin, the Second Viennese School, Impressionism, Neo-Classicism, Neo-Romanticism, serialism, the sonata in the 20th-century, North American composers.
MCGILL complete current official course definitionTopics in advanced analysis of post-tonal music.
MCGILL complete current official course definitionTheoretical topics and analytical applications in tonal music. Topics include some of the following: reduction, prolongation, voice-leading/linear models,motive/Grundgestalt, schema, partimento, and phrase rhythm/hypermeter.
MCGILL complete current official course definitionIntroduction to the principles and graphing techniques of Schenkerian theory, analysis of tonal works from 1700-1900, and study of prolongational techniques in relation to formal types.
MCGILL complete current official course definitionTheoretical topics and analytical applications selected from the following: serial theory, atonal set theory, contour theory, similarity metrics, transformational networks, elementary group theory and generalized interval systems, neo-Riemannian theory, atonal voice-leading and geometry, scale theory, models of tuning and temperament and information theory.
MCGILL complete current official course definitionAdvanced four-part harmonization, harmonic language and post-tonal counterpoint.
McGill Minerva course catalogue · MUTH 539Introduction to the discipline of psychology ofmusic. Topics include: musical development across the life course; the development of musical expertise; emotional responses to music; musical identity; music perception and cognition; and the link between music, healthand wellbeing.
MCGILL complete current official course definitionIntroduction to applied research in music performance sciences. Topics include: approaches to research in music performance sciences (participatory, communityfocused, pragmatic, quantitative and qualitative), types of research and the research design process in relation to relevant topics in music performance sciences (e.g., optimal performance, performer wellness, careers in music). Foundational research skills will be covered, including identifying problems and formulating relevant questions, decoding scientific language, engaging with ethics, examining research applications to performing practice.
MCGILL complete current official course definitionExploration of topics and strategies to optimizepractice and performance. Topics include:individual characteristics and habits inperformance and practice, stress and anxietymodels & theories, physiological response,coping strategies and skills (e.g., mental imagery,time management, goal setting,attention/concentration, relaxation andmeditation).
MCGILL complete current official course definitionSelected BMus major plan; not a mandatory menu shared by all Music majors.
McGill's undated music career handout gives possible occupations based on interests and experience. These are examples across music studies, not graduate placement results or outcomes for every BMus specialization.
Music Studies and Composition career examples published by McGill. Some roles require further training or credentials.
Bachelor of Music (BMUS); Licentiate in Music (LMUS)
2026–27 · Typical annual example · Fall + winter · 30 credits · CAD
Quebec residents example · Choose your category
Tuition only · Summer credits and ancillary fees extra
Housing and meals are outside this estimate.
Books use the university-wide budget.
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